Taking photos of textile art using a smartphone

How to photograph textile art

We know it can be tricky to photograph stitched fabrics and capture all the wonderful textures and colours. Sometimes it’s a challenge to avoid shadows and washed out areas on the image.

Without a sound knowledge of photography techniques or access to professional equipment, getting fantastic photographs of your art can be tough. And textile art poses its own distinct challenges as artworks can come in a wide range of sizes, shapes and forms.

Here are some quick tips to help you take great photos of your creations using the camera app on your smartphone.

“Bright, indirect lighting is the key to a great textile photo.”

Choose a bright location

Lighting is the most important factor. It’s best to take your photos on a bright but cloudy day, inside or outside. Avoid direct sunlight as it will cause harsh shadows.

If you opt to shoot indoors, make sure the light source isn’t behind you or you’ll cast a shadow over your artwork. Ideally, try to work in a space with pale, neutral coloured walls such as white or off-white tones.

Don’t use the camera’s flash as it will flatten the textile textures. It will also cause glare and uneven distribution of light across the piece.

Aim for even, indirect lighting across the work, with minimal shadows. If it’s darker on one side, prop up a piece of white card on the shady side. This will reflect some light across the work and balance out the darker areas.

Setting up the shot

It’s a good idea to remove nearby clutter or anything that might cast a colour over the work.

Hang the work on the wall – this is great for quilts or larger works. If you don’t have a handy wall space available, you could use a board covered with a pale, neutral cloth or sheet, and pin your textile art to it. Or attach smaller works to a piece of white card propped up vertically.

Alternatively, lay the work flat on a piece of white card and take the photo from above.

Move the artwork around to find the best lighting location for capturing the texture of your textile art. Watch out for reflective surfaces on your artwork – adjust the position and lighting of the artwork to minimise reflections and glare.

Hang the work on a wall to take the photo

Lay the work flat and take the photo from directly overhead

Composing the shot

Hold up the smartphone directly in front of the centre of the artwork. Move forwards or backwards, or use your smartphone’s zoom function. You want the artwork to fill most of the image frame, but do leave some space around the outside so you can crop the photo to different dimensions later.

Check the whole artwork is in focus, not just the central area. If the centre of the image is the only part that’s in focus, try moving further away and zooming in a little using your camera zoom. Sharp focus is important for giving you the best quality image of the stitches and textures.

“It’s best to make sure the focus is sharp when you take the photo, rather than trying to fix it later using software.”

Get things straight

Avoid distorted images, a condition known as keystoning. Check the artwork appears straight, not skewed. Position the smartphone square-on and make sure you’re not shooting at an angle with the camera tilted too far up or down. Your phone may have a grid function to help with this.

A square stitched textile sample

A skewed stitched textile sample

Taking the photo

Keep your smartphone super steady – use a tripod, or stand firmly and brace your arms, holding your elbows tightly against your body to ensure as much stability as possible.

Take the photo, then zoom in and check all areas of the image for sharpness and clarity. Take several photos so you have lots to choose from.

If possible, after you’ve taken a few photos, preview them on a bigger screen like a laptop or tablet. You can then make any final adjustments to your set-up, in order to capture the best quality photos of your work.

Cropping & editing

Use your phone’s photo app or computer software to crop or rotate the image. If necessary, adjust the brightness, contrast or colour saturation. Make sure the colours are accurate – white areas should appear white, not grey. The image should be as true to life as possible.

Avoid using sharpening tools when editing your photo, as they can negatively affect the quality of the image. Instead, aim to get the sharpest possible image when you take the photo.

Save your images at your device’s highest quality JPG setting. Later, you may need to create smaller files for emailing or using online – an image size of 1800 pixels wide (file size around 1-2Mb) is perfect for this.

If the textural details are particularly important in your artwork, take a separate set of close-up shots.

For textile sculptures, choose the best place to focus on to get as much of the work in focus as possible. Then take some detail shots from different angles to capture the sculptural shape of the work and show any interesting folds or layers in the fabric.

“Take photos to showcase the whole artwork, as well as detail shots to show interesting areas of texture.”

More tips & tricks

Seeking that perfect photo of your art? Good lighting and a sharply focused image are key. Here’s some extra ideas to try.

If you’re using a tripod, set the timer function to take the photo a few seconds after pressing the button – this can help to further reduce camera shake and ensure really sharp images.

You can also adjust the exposure brightness in your smartphone camera settings, before taking the photo, so that the light levels are accurate (and white areas are white, not grey).

If lighting is a problem and you find you have to use artificial lights, look for some daylight bulbs. You could also try to diffuse any harsh lighting using a white sheet or a piece of white plastic placed in front of the light source, with safety in mind – take care to avoid the light overheating.

Key takeaways

  1. It’s important to have good lighting. Aim for bright, indirect lighting without harsh shadows.
  2. Make sure the whole image is in focus, not just the centre. Adjust your distance from the artwork. If you are too close the camera will switch to a close-up setting to concentrate on the main focal point and other parts of the image will be blurred.
  3. Avoid skewed images, by making sure your smartphone is positioned square-on, using the phone’s grid function to help you. If your square artwork looks more of a trapezoid shape then adjust your phone’s angle.
  4. Keep your smartphone steady when taking the photo. Camera shake will give you blurred images.

Now you have photographed your textile art, you might want to display it. Discover more in Displaying and hanging textile art.

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Comments

Do you have any beginner's tips for using a smartphone to take photos of textile art? Please share them with us below.

4 comments

  • Shashikant Mule

    I come across with focusing problem while shooting a fabric of size say about 4’x4′. if I focus on spot the other spots are unsharp. In other words if I focus in the center, the area away from the center is unsharp. Please guide me to overcome this problem. Please note that I hve taken care of all other things such as lighting camera possition, angle etc. in this shoot. Thank you.

  • I agree with the author’s note to avoid sharpening the entire thing. However, for more clarity and contrast, it can help to sharpen the blacks only. It involves ensuring the image is CMYK, then selecting only the Black channel. Use Unsharp mask and only sharpen a very little bit. It makes a huge difference between a clear image and a blah image.

  • Detail shots can be handled slightly different with “presentation”–folds and draping can create more interest, without sacrificing quality of the shot, or being over dramatic or precious.

  • Great tips! Good, solid photography is essential for a successful online presence and it shocks me sometimes that visual artists don’t see how horrible their photos of their work sometimes are.

    One of the props that I have found extremely useful is having a rigid insulation board which can serve as a movable wall. These are easily found at Hardware stores here in the US. The one I have is bright pink, 3 inches thick and about 6 feet high. I covered it with a painter’s drop cloth and pinned it down on the back. I like to photograph outside on overcast days so that there are no sharp shadows. I can take that board out with me and prop it against my house, pin textiles to it and shoot away. For larger quilts and textiles, you would need two of them. When not in use, they can be stored out of the way.

    I would like to emphasize the tip about not using flash or the sharpening tools. Both can truly ruin an image. Using a flash flattens a photo and creates uneven shadowing. It’s also important to learn basic cropping and editing skills. I often have to brighten a photo, which will then make the colors too vibrant, so I tone them down again, using the saturation control tools. I use Photoshop Elements 9 and love it. It came with great tutorials and I try to work through them to learn new skills.

    A great free site to add frames, special effects and to create collages: http://www.picmonkey.com/

    Learning how to use a photo editor will also help open up new doors to plan textile works.

    Thanks for posting such important info!

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